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'(...) Also my work is exclusively about bodies. The very fact of the materials I use means that it's more body than image. I interpret my visual motifs in bodily terms even if they are landscapes. Somehow a shadow always creeps in, wanting to turn everything into a crime scene or corpus delicti. It's about a world dictated by dread, a fear that manipulates and traps bodies, and sweeps their mere suggestion under the carpet. Even something as simple but corporal as a bit of paint on aluminum is unacceptable in that world. Yet this is precisely what makes painting all the more attractive for me...'read more...